The most natural image – A Village Life

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An indigenous tribe from Guangfu in Hualian recently held a cross-strait seminar on the importance of maintaining a cultural record of minority groups. Lu Bin, producer of the documentary, “A Village Life”, traveled all the way from across the Taiwan Strait in China to exchange ideas with the local indigenous people.  To obtain a real ‘countryside perspective’, a direct approach without the use of professional actors was used – very much like how any indigenous person would record their own surroundings and life story.

The activity screened two documentaries filmed by ethnic minority communities from across the strait: ‘Cow Dung’ from Tibet and ‘Leaving One’s Homeland’ by the Mosuo in Yunnan. The documentaries aroused much discussion from the local tribespeople, especially ‘Leaving One’s Homeland’, which portrays the progressive weakening of the young generation’s ties to their own culture and how the tribe has been forced to transform in accordance with the rapid changes in society – a problem that currently faces the indigenous tribes of Taiwan.

Filming a documentary that uses a natural, pragmatic approach to document the everyday way of life and depict the special flavor of each tribe may indeed be the only road left for the indigenous tribes of Taiwan to retain knowledge of their traditional way of life for future generations.

 
The most natural image – A Village Life (by CJ TCU)

URL:

http://www.peopo.org/portal.php?op=viewPost&articleId=96981

(以下是中文對照)

最自然的鏡頭-鄉村之眼 ( 慈大傳播站 ) 

最近在花蓮光復部落舉辦了一場兩岸研討會,探討少數族群文化紀錄的重要性。大陸「鄉村之眼」計畫的製片:呂賓遠從對岸來到此地,與當地原住民進行交流。以非專業人員拍攝,用最直接的角度,也就是由當地少數民族親自拿起攝影機,記錄下生活中的故事,這樣的做法正是「鄉村之眼」這個計畫的的理念。活動會場播放了兩部對岸少數民族所拍攝的紀錄片,包括藏族人拍攝的「牛糞」以及摩梭族人拍攝的「離開故土的祖母房」。兩部紀錄片都引起了參與民眾的熱烈討論,特別是「離開故土的祖母房」。這部片所說的,是摩梭族新一代對自己族群認同的淡薄,以及族人如何被迫隨著社會的變遷而改變,這些正好是台灣原住民同胞現在所面臨的問題。這種以最自然的方式記錄生活中的風貌,以影像拍攝自己部落色彩,「鄉村之眼」或許是台灣原住民保留族群文化的另一條道路。

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